The concept of truth in art has been a subject of debate among art critics, historians, and philosophers for centuries. E.H. Gombrich and Roger Scruton are among the figures who have explored this complex relationship.
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On the Location of Identity in Art Practice
Often, an artist acts as a mediator between underlying tensions of self and other, belonging between self and community. The forms that emerge are a hybrid of the artist’s sensibilities, aims, and the influence of their environment.
View MoreIntimations in Precarity
As an initial access, an entry point, I begin with the concept of tahanan, in light of the curation of Sa Tahanan Collective in Dubai, United Arab Emirates.
View MoreAlyx Arumpac’s Aswang as Counterspectacle
The documentary film genre, through an analysis of Aswang (2019), evokes a reflexivity despite its self-determined spectacularity — a possible critique of the film medium as spectacle.
View MoreNotes On a Conditional Form
The following is a paper that captures a nuanced take on Celso Ad. Castillo’s Burlesk Queen (1977), situating it within the context of Philippine Cinema.
View MoreA Portrait of the Artist as Migrant Worker
The Plight of the Migrant Worker It is highly likely that we know at least one person in our immediate community, be it our circle of friends or family, who is working abroad to make ends meet. A survey on overseas Filipinos conducted by the Philippine Statistics Authority (PSA) reveals that between April to September 2019, […]
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