For the second issue of Insights, I wrote about Augustine Paredes‘ art, on what it means to sustain a diasporic practice amid displacement and the uncertainty of creating a sense of place. Read more: photographychismisph.com
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On the Documentary Value of Art
The concept of truth in art has been a subject of debate among art critics, historians, and philosophers for centuries. E.H. Gombrich and Roger Scruton are among the figures who have explored this complex relationship.
View MoreOn the Location of Identity in Art Practice
Often, an artist acts as a mediator between underlying tensions of self and other, belonging between self and community. The forms that emerge are a hybrid of the artist’s sensibilities, aims, and the influence of their environment.
View MoreSharjah Biennial 15 Guidebook
For Sharjah Biennial 15, as a content writer for the guidebook, I contributed text for John Akomfrah, Maria Magdalena Campos-Pons, Iftikhar Dadi and Elizabeth Dadi, Brenda Fajardo, mandla, Steve McQueen, Mame-Diarra Niang, and Khadija Saye.
View MoreIntimations in Precarity
As an initial access, an entry point, I begin with the concept of tahanan, in light of the curation of Sa Tahanan Collective in Dubai, United Arab Emirates.
View MoreAlyx Arumpac’s Aswang as Counterspectacle
The documentary film genre, through an analysis of Aswang (2019), evokes a reflexivity despite its self-determined spectacularity — a possible critique of the film medium as spectacle.
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